‘I relish when my enemies despise me’: how Hasan Piker emerged as among the most prominent figures on the US left

Hasan Piker dubs it the bus driver test: “Imagine boarding a bus and you have 30 seconds to clarify whatever online phenomena occurred to the bus driver before them looking at you and going, ‘Leave the fucking bus.’” The vast majority of online conversation, regardless of how fiery, does not pass the test, he argues – including an incident last weekend, when someone on a Dublin street requested to take a picture with Piker, then held up a picture of his dog and shouted “Free Kaya!” Forget the bus driver; attempting to explain the importance of this particular event might well take the remainder of this article.

Navigating the Gray Space

Piker finds himself in this in-between space increasingly these days. Until fairly recently, the thirty-four-year-old was familiar only to the very online, especially Americans in their twenties and thirties, mostly thanks to his presence on the streaming channel Twitch. But following the last presidential election, Piker has become an in-demand voice in “the real world” for his analysis on the struggling political left, and specifically that constantly fretted-over demographic, young men.

A Favorite Hate Figure for the Right

Unsurprisingly, this also positions Piker a favorite villain of the political right. To his detractors there is plenty to criticize: his outspoken political views; his Turkish, Muslim background; his associations with progressive politicians. But they also resent the fact that Piker – tall, muscular, fashionable and handsome – defies typical lefty caricatures. He has leveraged his appearance in shirtless magazine spreads or social media posts.

“I’ll be honest, I had no clue that this is what I was going to be doing,” says Piker. “For instance, if someone were to ask me, did you imagine that you’d become a Twitch streamer? I’d be like, what is Twitch?”

It’s the morning and he’s getting ready to start his daily late morning show. He typically streams live for seven or eight hours consecutively, talking unscripted about current affairs, lifestyle stories, what he’s up to, playing video games, reacting to memes and media clips, and interacting with the never-ending stream of comments from viewers.

From The Young Turks to Twitch

Building himself on Twitch, which is primarily for livestreaming video games, was a conscious decision, Piker says. His media career began with The Young Turks, the left-leaning online news network. Piker’s parents are Turkish immigrants, and he was raised between New Jersey and Istanbul before studying political science. He graduated to his own show on the network in 2016 but in 2018 he chose to go solo on Twitch, to counterbalance what he saw as dominantly conservative, and often toxic views that infested the space.

“There’s a lot of ideological diversity among the gamers, amongst the developers, among the consumers, but unfortunately, the market for political commentary in this hobby is so overwhelmingly dominated by the right,” he says.

The Problem with the American Left

This is the core problem with the American left in broad terms, argues Piker: they’ve relinquished so many battlegrounds to the right. “You absolutely have to market your ideas … but they simply completely gave up on all notion of marketing or branding.”

Piker is regularly critical of past administrations on his show, particularly on foreign policy, but he is no loyal member of the major center-left party. His own politics are generally social democrat and “empathy-first”, he explains. “My position is actually the normal position in most of the world.”

Controversies and Criticism

One of the risks of Piker’s style of relaxed, accessible commentary is that he’ll occasionally go too far, which provides his critics fodder. He has been suspended from Twitch multiple times for perceived offensive content. In a highly publicized incident, in 2019, in the context of a wider critique, he made a comment about a historic attack that was seized upon by conservative media outlets. Piker later apologised and said the language was inappropriate.

Similarly, Piker’s vocal support for Palestinian rights and criticism of certain government actions have led to accusations of bias, which he strongly rejects. He has also been ridiculed for expressing praise for another major global power, after a trip there.

“I have no problem getting attacked by people on the right. I relish when my enemies hate me,” he states. “It is what it is.”

Real-World Consequences

The hate increasingly risks to spill offline, however. On one occasion, Piker was questioned by US border agents on his return from a trip. They interrogated him about his views before letting him go. “I think they did it because they know who I am,” he said.

These levels of enmity help explain the “Free Kaya!” incident in Dublin. It originated from a Twitch stream where his dog, Kaya, yelped suddenly. Online conspiracy theorists jumped to the conclusion that Piker was mistreating the animal, sparking a online controversy dubbed “collargate.” Even a major animal rights organization issued a statement. This led to the ambush by a stranger in Dublin.

Piker took that encounter in his stride. Online, though, the encounter was clipped from his live stream and disseminated with his reply edited out. “They wanted to make it look like I was devastated,” he said.

The Difference Between Online and Offline Worlds

This illustrates the difference between the offline and online worlds, he says: “It’s very difficult to maintain a very negative energy in the real world without coming across as unhinged and odd. Interactions on the internet create this environment where you can be as aggressive as you want.”

That Dublin encounter was fairly low stakes. In the US, he admits to feeling less safe. The assassination of a conservative commentator was a shocking example of where this online hate can lead. Piker watched the event unfold in real time on his stream.

Piker still do real-life streams in the US. “I can’t let fear guide my life. I’ve gotten death threats for over a decade,” he says. Unhealthy one-sided fan dynamics are part of the territory, he accepts.

Looking Ahead and Finding Balance

Having been prescient about the last election, how does Piker feel the next few years? “Things change quite rapidly, but if you look at the avenues where there is some semblance of hope, it’s the left candidates that are actually really galvanising the public,” he says. He references the progressive “left flank”.

“We have to lean into that, because I feel like it’s a matter of life or death at this point,” he adds. “So I will do anything in my power to try and prevent a worse alternative.”

The American left could perhaps do with someone like Piker. But it doesn’t sound as if Piker is tempted in mainstream political office. He makes occasional media appearances, but he’s not drawn further into traditional media, he says. “The audience is moving in my direction, and away from traditional publishers.”

And on top of that, he clearly enjoys it: “I find a lot of personal fulfilment in what I do.” As he’s talking, he’s got one eye on the clock. Another marathon live stream is about to begin, and he’s itching to get started.

John Oliver
John Oliver

A seasoned digital artist and project lead with over a decade of experience in vector design and creative direction.